WINTER ELEGY
When the cool fronts gusted through
we called it Christmas.
We'd crank
open all the jalousie windows
and for the rest of that year and into the
next
the slamming of doors was only the wind's rage.
It blew through our
house, diffusing the seaweed
collecting at the canal's dead end,
my
mother's cinnamon candles and pine,
sugar apples ripening on the tree,
and
at night, blossoms of cacti in the corner of the yard.
Half asleep with the
windows open,
I could hear the rustling of palms and bottlebrush,
blinds
slapping against screens,
and at some point every night, the scream of a cat
fight,
and my mother going out to break it up,
then back to bed. Through
my bedroom windows
I'd hear her settle in. That overture
of sighs and low
moans and my father's constant snore
lulled me back to sleep, and I never
imagined
this was not the way it would always be.
SANDBAR AT SNIPES KEY
Before the divorce, we used to picnic
on the first Sunday of each month,
even in winter.
My father would belly his pontoon on the sandbar,
then my extended family
swung single file
down the ladder wearing sneakers--
it was too shallow for swimming
and not all sand, but coral heads and bottles,
long-spined sea urchins,
perhaps sting rays.
Arm in arm we made a chain from the boat
to shore, in flowered or
fluorescent bathing suits,
like a long swatch of milky bufo eggs
to stake our claim on that small
tongue of sand.
My father would carve a pit in the beach,
make fire with mangrove
limbs,
spear a hog fish and roast it before it was dead,
squeezed lime hissing
the fire down.
Then he'd stretch out on the sand, his arms folded
under his head like a
sky-watcher.
His snore was like wave-crash. Giggling,
I poured bucketsful of sand over
him.
Mixed with saltwater, it was cement.
Then I built a series of castles
around him.
He'd sleep like that, pretending not to know
I was there, or was he
pretending?
During one of these Sundays, our engine
broke down. And to get us home he
jumped in,
pulled the pontoon by the anchor rope over his shoulder,
trudged the three
bay miles to our dock.
His hands and back blistered.
That night, he stood out on the back
deck
and my mother poured a bottle of peroxide over him
which fizzed like sea
foam over his body.
He saw me see him wince, then exaggerated
his wincing with cartoonish
eeks and acks.
He let me wind his palms with gauze.
I fell asleep with my head on his
scorched chest
despite the rifle-cracks of some John Wayne movie,
both of us in his
cigar-burned, soft gray La-Z-boy.
He was fond of saying, Man is greater than any misery.
Out there on
the sandbar, it was easy to forget
about my parents' last fight, the smack of his truck door.
It felt good
just to dig my hands in
the muck by the shoreline, to try and bury
my father so deep in the earth
he'd never leave.
THE
WRECKER’S WIFE,
Three
weeks and his body has not been salvaged.
Jacob’s
crewmates say it was a terrible wind
that
made the sloops slap together like hands
with
him in between, down in the water.
Today,
the judge declared we never married.
There
is a wife abandoned
in
I
shake my head. There was a wedding
on the
beach. They were all there—
I wore
a blue silk dress, a red hibiscus in my hair.
We
stood between two palms, and don’t they remember
before
we’d said our vows, when the coconut fell, just missing him,
and we
all laughed? Such an abundance of conch
and
turtle at the reception, and Mr. Pinder played the fiddle,
and we
drank my grandma’s champagne punch well into night,
then Jacob
built a fire and, and someone said
we
looked like a bunch of Calusas whooping,
but we
didn’t care because we’d not had fun
since
the massacre on Jacob’s Indian Key.
They
remember, but still, it wasn’t official,
and no
one dared say anything as long as he lived.
I
spend my nights on the beach where we married,
letting
the cold stone of the ocean wash over my feet,
expecting
his body to shore like flotsam.